R. Przybysz
Exhibitions and Programs
Exhibitions
Details for location, date, and time are specific to each exhibit. Please see the exhibition detail for each event.
Essence of jacksonville, museum of science & history
The Show was judged Paul Bourcier, Curator of the Museum of Science & History and Karen Lamoree, Archivist and Collections Manager of the Beaches Museum.
BEST IN SHOW
Peggy Harrell Jennings, My Jacksonville in Bits and Pieces
Paul Bourcier:
This work of art is remarkable for both its execution and the way it conveys the essence of a community at a transformative time in history. The assemblage is a snapshot in time and the artist has demonstrated clever ways of telling a story.
The Jacksonville theming is apparent through the unique combination of vignettes – from the more traditional signature (literally “packaged”) depiction of river/bridges/downtown (the interplay of culture and nature) at the center of the piece to the more creative use of latticework suggesting both water flow and the interweaving of traits that make this geographic area distinctive.
The clever medley of subjects ranging from beach to aviation to nature scenes to iconic public spaces presented in the form of old slide mounts creates the impression of a linear carousel and invites the viewer on an intriguing exploration.
And the obvious medical focus shines a light not only on the COVID-19 pandemic but also the central place of the health care industry in defining the city.
Karen Lamoree:
The variety of materials and the diversity of themes in this artwork perfectly exemplifies the essence of Jacksonville. The blend of textures and patterns is complex, challenging, and exciting. We may not know where to look first, next, or last, but we know that we must look deeper into the interwoven warp and weft of our community to find the strength and vision to move forward.
Peggy Harrell Jennings, My Jacksonville in Bits and Pieces
Paul Bourcier:
This work of art is remarkable for both its execution and the way it conveys the essence of a community at a transformative time in history. The assemblage is a snapshot in time and the artist has demonstrated clever ways of telling a story.
The Jacksonville theming is apparent through the unique combination of vignettes – from the more traditional signature (literally “packaged”) depiction of river/bridges/downtown (the interplay of culture and nature) at the center of the piece to the more creative use of latticework suggesting both water flow and the interweaving of traits that make this geographic area distinctive.
The clever medley of subjects ranging from beach to aviation to nature scenes to iconic public spaces presented in the form of old slide mounts creates the impression of a linear carousel and invites the viewer on an intriguing exploration.
And the obvious medical focus shines a light not only on the COVID-19 pandemic but also the central place of the health care industry in defining the city.
Karen Lamoree:
The variety of materials and the diversity of themes in this artwork perfectly exemplifies the essence of Jacksonville. The blend of textures and patterns is complex, challenging, and exciting. We may not know where to look first, next, or last, but we know that we must look deeper into the interwoven warp and weft of our community to find the strength and vision to move forward.
Judges' Choice
Pat Setser, Cranes at Jaxport
PB:
When one thinks of iconic river-related structures that define Jacksonville as a place, one immediately thinks of bridges, but not so with this work of art. This shadowbox mixed media piece underscores the importance of Jacksonville’s role as a major world port in a creative way. The repetition, the dimensionality and the perspective all provide a sense of majesty to the container cranes that tower above the St. Johns. The combination of techniques – photography and brushwork – provides an intriguing graphic quality to the composition.
KL:
Jaxport is both the newest port in the country and the area of the oldest international commerce between the Old World and the New World. Jacksonville was built largely on the quality and location of the St. Johns River seaports. Today, as you cross the iconic Dames Point Bridge, you are drawn to the geometric angularity of the mammoth shipping cranes, jutting out over the water. Their quiescent power is captured in this evocative piece, reminding us of our commercial past and future.
Pat Setser, Cranes at Jaxport
PB:
When one thinks of iconic river-related structures that define Jacksonville as a place, one immediately thinks of bridges, but not so with this work of art. This shadowbox mixed media piece underscores the importance of Jacksonville’s role as a major world port in a creative way. The repetition, the dimensionality and the perspective all provide a sense of majesty to the container cranes that tower above the St. Johns. The combination of techniques – photography and brushwork – provides an intriguing graphic quality to the composition.
KL:
Jaxport is both the newest port in the country and the area of the oldest international commerce between the Old World and the New World. Jacksonville was built largely on the quality and location of the St. Johns River seaports. Today, as you cross the iconic Dames Point Bridge, you are drawn to the geometric angularity of the mammoth shipping cranes, jutting out over the water. Their quiescent power is captured in this evocative piece, reminding us of our commercial past and future.
Judges' Choice
Marlene Scheer, Guana Preserve
PB:
This piece represents a part of the nation’s largest urban park system, a distinction for which the greater Jacksonville area is renowned. The painting captures an estuarine ecosystem in a visually compelling manner, with glassy, sunlit reflection and an impressionistic interplay of color splotches underscoring the concept of wetland. The well-balanced composition, the contrasts of light and dark, and skillful application of brush and palette knife all draw the eye into the scene.
KL:
This richly textured painting reminds us of the primeval past, which we must preserve for the future. The Guana Preserve teems with life and the interconnectivity of habitats, much like the varied neighborhoods of Jacksonville itself.
Marlene Scheer, Guana Preserve
PB:
This piece represents a part of the nation’s largest urban park system, a distinction for which the greater Jacksonville area is renowned. The painting captures an estuarine ecosystem in a visually compelling manner, with glassy, sunlit reflection and an impressionistic interplay of color splotches underscoring the concept of wetland. The well-balanced composition, the contrasts of light and dark, and skillful application of brush and palette knife all draw the eye into the scene.
KL:
This richly textured painting reminds us of the primeval past, which we must preserve for the future. The Guana Preserve teems with life and the interconnectivity of habitats, much like the varied neighborhoods of Jacksonville itself.
Exhibition details
Paul Bourcier, Curator of the Museum of Science & History and Karen Lamoree, Archivist and Collections Manager of the Beaches Museum have selected the following works from JAG members for the exhibit “Essence of Jacksonville.” The exhibit will run from June 27th through September 27th.
There will not be an opening reception but a CLOSING CELEBRATION on Friday, September 25th from 7 – 9 pm.
Pick-up is Monday, September 28th 10 – 12.
Congratulations to all. A slide show of the submitted works will be on display at the exhibit.
Bourcier said, “We selected what we felt was the best pieces from each of those who submitted more than one piece then narrowed the field to 30. Then we narrowed the 30 to a final selection of 15 for the exhibit. We eliminated pieces that were too large or didn’t capture the theme adequately. We worked with a gallery floor plan to determine how they might best complement one another in placement. The selection reflects: 1. A variety of media 2. A variety of subject matter 3. A variety of techniques.”
THERE WILL BE A SLIDE SHOW RUNNING AT MOSH OF THE SUBMITTED PIECES! THEY ARE WONDERFUL. WATCH IT NOW!
There will not be an opening reception but a CLOSING CELEBRATION on Friday, September 25th from 7 – 9 pm.
Pick-up is Monday, September 28th 10 – 12.
Congratulations to all. A slide show of the submitted works will be on display at the exhibit.
Bourcier said, “We selected what we felt was the best pieces from each of those who submitted more than one piece then narrowed the field to 30. Then we narrowed the 30 to a final selection of 15 for the exhibit. We eliminated pieces that were too large or didn’t capture the theme adequately. We worked with a gallery floor plan to determine how they might best complement one another in placement. The selection reflects: 1. A variety of media 2. A variety of subject matter 3. A variety of techniques.”
THERE WILL BE A SLIDE SHOW RUNNING AT MOSH OF THE SUBMITTED PIECES! THEY ARE WONDERFUL. WATCH IT NOW!
LET'S CONGRATULATE ALL OF THE FOLKS THAT HAVE THEIR WORK ON DISPLAY:
We want to thank MOSH for their support of the Jacksonville Artists Guild, Find out more about MOSH and how you can become a member:
Programs
Open to the Public.
Location: St. Mark’s Episcopal Church
When: The 2nd Monday of Each Month
Reception at 5:30 P.M.
Art Presentation at 6:00 P.M.
Location: St. Mark’s Episcopal Church
When: The 2nd Monday of Each Month
Reception at 5:30 P.M.
Art Presentation at 6:00 P.M.
